FINDING THE RIGHT ‘FIT’: THE IMPORTANCE OF CONNECTING WITH YOUR TANGIBLE ASSETS TEAM
By Nick J Alexander, Private Risk Management, Wells Fargo Insurance Services USA, Inc.
Imagine your favorite pair of blue jeans. The ones that fit perfectly. You can wear them all day or curl up on the couch and nap in them. Think about your first cup of coffee in the morning. The aroma alone puts a smile on your face and gives you hope for a prosperous day. Now think of your best friend, the one you trust no matter the topic. These simple, everyday items give us comfort, put us at ease and allow us to trust.
Now imagine sitting across the table from your insurance broker or your family advisor. The person with whom you share your personal financial information and the value of your tangible assets. Imagine not feeling comfortable with this person. Imagine having to “come out” to this person when you don’t feel comfortable, at ease or have trust.
FROM POWERLESS TO POWERFUL
A new client recently sent me insurance information to review for her existing personal insurance program. Included was a separate policy for a person who lived at the same address but was insured by a different company. When I asked who this person was and if I needed to include her and her vehicle on the proposal, the client replied that she had “sent this document in error”. I told the client I noticed the document had the same address and that I would need to know about each individual living in the household. With hesitation, she said it was “her partner.”
“Great!” I replied, “We should look at placing you on the same policy for multi-car discounts, one billing, and now you will have one broker to discuss your personal insurance program with.” I then added, “My partner and I saved several hundred dollars and simplified our household bills.”
She replied, “You have no idea what a relief it is to work with someone who understands us. We were fearful of telling our current broker about us, so we insured everything separately.”
Great progress has been made for the LBGT community across this country in recent years. However, some still live in fear or are hesitant to “come out” to people they work with, including their insurance broker. Wouldn’t it be great if we could all approach our conversations with our trusted advisors the same way we approach our first cup of coffee in the morning?
When choosing a team to help manage your personal assets, whether it’s your art collection, finances or personal insurance program, look for the right fit—just like your favorite pair of blue jeans.
With over 20 years of experience in the field of personal insurance and risk management, Nick J. Alexander is a highly trusted expert who regularly advises regarding private risk management for traditional and non-traditional couples alike.
APPRAISALS & VALUATION SERVICES
Valuation of our clients’ assets forms the foundation of our business, enabling us to develop strategies to maximize a collection’s value.
The Fine Art Group was launched in response to a growing demand for wholly independent valuation services along with a requirement for a more personal service in today’s more complex art market. We provide confidential valuations for the purposes of Insurance, Taxation & Probate, Trusts & Estates, Family Division and Divorce, Sale on the Open Market or Art as Collateral.
Each of our clients are unique and our appraisal approach is tailored to meet their needs. To learn more, contact us at (610) 254 8400 or info@pallmallartadvisors.com.
This material is for informational purposes and is not intended to be exhaustive nor should any discussions or opinions be construed as legal advice. Contact your broker for insurance advice, tax professional for tax advice, or legal counsel for legal advice regarding your particular situation. Products and services are offered through Wells Fargo Insurance Services USA, Inc., a non-bank insurance agency affiliate of Wells Fargo & Company, and are underwritten by unaffiliated insurance companies. Some services require additional fees and may be offered directly through third-party providers. Banking and insurance decisions are made independently and do not influence each other.
© 2016 Wells Fargo Insurance Services USA, Inc. All rights reserved.
FROM CHAOS TO CLARITY
DEVELOPING A PLAN & IMPLEMENTING STRATEGIES FOR LONG-TERM COLLECTION MANAGEMENT
It’s a scenario many of us are all too familiar with. Overtime as large collections grow and management changes hands, collections have a tendency to become unorganized, valuable items are misplaced or missing all together, and no one really has a clear picture of the entire collection or its significance. The frustrating scenario conjures up images of dusty piles of paper, leaning stacks of old frames, dated filing cabinets and storage closets employees would just as soon forget.
Spring is here, and with the brighter days it is time to clear the cobwebs, assess the situation and implement a strategy in alignment with your organization’s goals. The good news is, you don’t have to do it alone. As a range of services and expertise that The Fine Art Group advisors provides, we begin at square one with clients who seek clarity and are in need of an extra hand to provide direction for long-term collection management and development. Here is how we can assist:
COLLECT THE DATA FOR DECISION-MAKING AND STRATEGIC PLANNING
The Fine Art Group can help you understand the scope of the collection by establishing an updated inventory and providing an appraisal that provides comprehensive values derived from the most current market data. These reports are designed to provide you with a basis for strategic development and decision making. Is there a gap in risk management? Are there new exposures to consider? What should you prioritize in the collection? What are the lower-valued items that merit less attention? Should you sell some of the pieces? And to what end?
DEFINE A PURPOSE OF THE COLLECTION
Your collection can and should align with your organization’s mission, vision and brand. The Fine Art Group works alongside corporate and institution leaders to articulate a clearly defined mission for the collection. Are you seeking to engage the community with local artists? Market to next generation collectors with emerging art? Create a collection with investment potential? Defining purpose establishes a direction in order to move forward with editing, refining and curating the collection.
EDIT AND REFINE
Once a purpose is in place and inventory is complete, it is time to edit and refine. The Fine Art Group provides recommendations for monetizing or donating items that are aligned with your organization’s ultimate goal. We have assisted organizations with the delicate process of deaccessioning items that have been donated yet are not accentuated within the collection. There may be duplicates that can be sold or items that dilute the overall quality. Editing the collection can reduce the amount of resources expended on the collection and clear storage space. Monetizing specific works can contribute funds to reinvest in collection management and curated acquisitions.
RECOVER YOUR LOSSES
During this process, it often comes to light that pieces from the collection are missing and others are in disrepair. For missing items, just because the item is no longer there doesn’t mean it should be forgotten. As options to explore, The Fine Art Group may facilitate the claims process, file a report with the Art Loss Registry and secure a replacement. With regards to damage, we will establish whether or not the item was covered on your insurance, evaluate the loss in value and, if suitable, coordinate conservation. After the work has been conserved, The Fine Art Group will recommend an updated retail replacement value of the item for adequate insurance coverage on your current policy.
CONSERVATION
In addition to conversation of damaged items, The Fine Art Group can arrange annual inspections by a professional conservationist. Delicate, rare and/or expensive items should be watched over carefully by trained professionals who can treat or prevent condition issues before they tarnish the value. As required, we will incorporate annual conservation inspections as a component of our recommendations for collection management.
UPDATE YOUR RISK MANAGEMENT STRATEGY
We regularly work alongside insurance brokers to establish thorough insurance coverage as part of the risk management portfolio. The Fine Art Group then takes it a step further: With expertise in the preservation and care of artwork, we provide recommendations on where best and how to display works of art from the collection with consideration to conservation and theft prevention.
LONG-TERM COLLECTION MANAGEMENT
With values determined and purpose defined, it is time to move forward with Collections Management and establish plans to maintain the collection. In order to protect and preserve the sentimental, aesthetic, historic, and financial values of your collection, The Fine Art Group offers routine appraisals, inventory management, database systems, logistical support, storage solutions and additional research for the long-term care of your collection.
GET YOUR TEAM INVOLVED
The Fine Art Group provides educational workshops for employees on best practices for handling, storing, displaying and preserving valuable objects, antiques and works of art. Workshops may be one-on-one or with a group, and are customized to meet the needs of your organization and collection.
OUR SERVICES
Offering expert Advisory across sectors, our dedicated Advisory and Sales Agency teams combine strategic insight with transparent advice to guide our clients seamlessly through the market. We always welcome the opportunity to discuss our strategies and services in depth
Hong Kong & China Art Markets Thriving
With all the fluctuations and uncertainties in the world’s markets lately, it is good to know that the art market in Hong Kong and China is still very much alive.
Hong Kong has been an international environment for decades, and one familiar to many dealers and collectors. With its very attractive tax laws and ease of communication, it has long been an ideal place for the world to buy and sell artwork. Selling in Hong Kong is a great way to take advantage of the economics and still reach collectors from all over the globe. Because of this, most of the top-tier auction houses have branches on the island, often providing them with their most profitable sales. This small, welcoming island also hosts the premier art fair – Art Basel Hong Kong – and a limited, but healthy gallery and dealer scene.
While the Hong Kong market has been popular for some time, the market in Mainland China has been growing significantly. Despite some recent economic downturns, Mainland China has still one of the fastest growing economies with rapidly increasing numbers of “High Net Worth Individuals”. With the lack of investment opportunities that may be available in other countries, these newly wealthy Mainland Chinese have been looking toward the arts as an investment vehicle. This is evidenced by the number of Art Funds still active in China and the growing Private Museum trend all over the mainland. Traditional arts and cultural antiquities has always been an area of interest for the connoisseur collector in Mainland China and now, with the younger generations coming of age, we see a growing market interest in both modern and contemporary Asian and Western art.
Mainland China has never had a very strong gallery or dealer scene. Because of this, auction houses are still the primary place for collectors to seek out and purchase works of art and objects of significance. With this established demand… the only issue has been the supply. Collectors, auction houses, and private museum directors have been looking hungrily toward European and American collections. They are seeking out ceramics, paintings, bronzes and jades that have found their way into Western collections decades, and sometimes centuries, ago and they have been willing to part with headline-grabbing sums to acquire these works.
So, for owners of fine works of art and notable objects, one option that should not be overlooked is selling in Asia. However, these East Asian waters are foreign to many, and knowing how to navigate them can still be tricky. Where are the best and most reputable dealers, galleries and auction houses? How do the standard contracts and tax laws differ? What micro-market has the greatest demand for your particular category of art? These are the questions that a good advisor with contacts and experience in Asia can answer. For centuries, explorers have found good fortune in distant lands – but they all needed a navigator!
– Patrick Regan, Appraiser & Advisor
RELATED CONTENT
- Patti Wong: Asia’s Tastemaker
- Philip Hoffman Speaks with Bloomberg about Asian Art Market
- Patti Wong & Associates Joint Venture in Asia
By Mike Rosser Posted March 29, 2017
THE ART MARKET & UP TO DATE ART APPRAISALS
“An exuberant Gustav Klimt garden scene sold at Sotheby’s on Wednesday night for about $59 million with fees, the third-highest price for any artwork sold at auction in Europe.
“Selling for 48 million pounds after a valuation of at least £35 million, the painting was fought over by four telephone bidders, reflecting newly energized demand for works by the great names of 20th century art.”
That was the New York Times report from London in early March, offering the latest breathless evidence of the trends that have shaped and reshaped the art world since the Great Recession.
Anita Heriot has had a front-row seat to it all for years.
The president of U.S. operations for The Fine Art Group, a London-based firm that advises art owners worldwide, Heriot says most art holders have no idea that valuations have risen so dramatically.
The ascendancy of Asian buyers and technology that allows buyers to bid at auctions from the comfort of their poolside chaise lounges anywhere in the world have helped drive up prices. To an extent, political instability in parts of the world also has helped.
It is, at least for some, perhaps a good time to sell.
Yet whether you’re selling, holding or giving away your art to a museum or hospital, there’s a certain responsibility that comes with owning art that extends beyond doing all you can to preserve it.
It’s the duty to do your due diligence regarding its worth, an obligation to ensure you know the most accurate and up-to-date fair market value of your piece.
That was one of the central points Heriot delivered in a recent presentation to CCIG clients.
All too often, especially after the passing of the last surviving parent, the children who inherit their family’s artwork make at least one big mistake in how they handle the high-value assets they inherit, Heriot said.
They fail to obtain an independent appraisal and instead trust an auction house or dealer to set the price. The problem in doing so, she said, is that those parties’ interests often conflict with an owner’s.
“The art world is one of the most opaque industries there is,” Heriot said. “The value of art has shot up to the sky and a lot of people just have no idea.”
There are many people who do their best to take advantage of that lack of awareness.
To illustrate her point, Heriot recounted the experience of a Seattle family that had relied on an old appraisal of its paintings. Heriot had gone to see the collection herself
“We saw four Rothkos, two Francis Bacons, Pollocks, Clyfford Stills. The list goes on and on. I will never forget that day. … In the end, what surprised me was that this collection, which the trust company was valuing at $2 million, was easily worth $140 million. And there had been almost no estate planning.”
Indeed, families often put off developing a strategy for their valuables until it’s too late to make a rational decision, she said. “We see this practically every single day,” she said.
Sadly, without a recent appraisal, art owners make easy targets for unscrupulous buyers who might tell them that their assets are worth much less than they really are.
Knowing the fair market value of an artwork isn’t important only at the time you might want to sell a piece. It’s also critical when insuring it.
Certain insurance policies will protect you if the market value of your art is greater than the amount for which it’s insured. However, even those policies typically pay only up to 150% of the amount of itemized coverage for that article. In a world in which art valuations have doubled, tripled and gone even higher, that’s a lot of money to leave on the table.
What else should you do if you own either a single work of art or have a collection?
Be sure you create and update detailed records of your collection, including information on the artist, the title, date the work was created, medium, size and condition. It’s also a good idea to keep photographs of the artwork in a safe place.
And, remember, although your policy will cover things such as theft, fire or water damage or damage caused during transit, it will not pay for gradual deterioration, such as fading or cracking caused by natural or artificial light.
Mike Rosser leads the Private Client practice at CCIG. Reach him at MikeR@thinkccig.com or 720-212-2068.
RELATED CONTENT
- Navigating the Art Market
- Estate Planning for Non-Traditional Couples
- Reintroducing The Scoop: The Next Generation Collector
OUR SERVICES
Understanding value is the cornerstone to effectively managing a collection – and at The Fine Art Group, it is this understanding that enables us to work as trusted fiduciaries for our clients, and their objects. We are experienced providing appraisals for a wide range of purposes, and are also specialists in unique and complicated appraisal scenarios.
THE VALUE OF A VISUAL INVENTORY WHEN FACING DAMAGE & LOSS
Not a week goes by when we don’t receive a call from a panicked client, but one client’s plight was especially memorable. With frustration in their tone, they began to shed light on the months of turmoil and headache that had ultimately lead them to us. After discovering a major leak in the ceiling that had saturated the walls and flooded the floors, they called their insurance company who referred them to a restoration service.
They explained, “As a preventative measure, the restoration company cleared everything out of the first floor and placed the contents into their storage facility. Our insurance company assured us that the restoration company was the best in the business and that our treasured items would be safe with them at a secure facility.”
No one could foresee that weeks later the storage facility would have its own major water catastrophe, resulting in a total loss of our client’s contents.
In situations like these we often provide a valuation based on an inventory and photographs taken prior to moving. The restoration company had compiled a list, however what were purported to be of high value were described with vague terms like “sofa”, “boxes” and “lamp”.
There were no photos of the objects taken by neither the client nor the restoration company. The client assured us that many of the items lost to water damage were inherited from her father and were valuable objects ranging from antiques and collectibles to fine art and prints. Without photos of the pieces and an accurate inventory list, there was no basis for us to provide an accurate appraisal of the damaged pieces.
To make matters worse, our client was working with a direct insurer whose policy stated that items not scheduled individually would only be compensated for their market value, which is significantly lower than the retail value that would realistically make our client whole.
As much as we could identify and empathize with our client’s frustrations, we understood that our client’s unfortunate circumstances could have been avoided had they taken preventative measures. One of the most efficient and cost effective ways to prevent this scenario is to have a video inventory conducted by a professional appraiser and shared with your insurance company. While you may have some of your treasured art and antiques individually scheduled, the majority of your contents vaguely fall under blanket coverage. In the event of loss, the task to “establish value” is your responsibility. A video inventory produced by a professional will facilitate the appraiser in appropriately determining each object’s replacement value. Without an image, it is difficult for an appraiser to place a value on any object and it is less likely the insurer will compensate you for the full retail value.
The Fine Art Group conducts hundreds of professionally produced visual inventories each year. For more information or to schedule an appointment contact us at 610-254-8400 or mail@fineartgroup.com.
The Fine Art Group will conduct a Visual Inventory of your assets to provide a photographic record of the residence including the exterior, individual rooms and its remaining contents.
The Visual Inventory is conducted by a seasoned appraisal professional and professionally edited.
INSURANCE VALUATIONS
When dealing with the inconvenience of loss or damage, adding a Visual Inventory to your risk management strategy offers peace of mind and assurance that the claims process will be handled appropriately.
TAXATION & ESTATE VALUATIONS
Theft is more likely to occur in an unoccupied home, and burglars are known to target the elderly. The Visual Inventory provides an accurate account of home contents and can be used when dividing an estate between members of the family.
FAMILY DIVISION & DIVORCE VALUATIONS
When faced with the challenges of a divorce, the Visual Inventory provides an accurate account of marital property and is a necessary, date-stamped tool that facilitates the division of assets.
RELATED CONTENT
- Watch Art, Cars & Collectibles: How to Mitigate Risk before a Disaster Hits
- Estate Planning for Non-Traditional Couples
OUR SERVICES
Understanding value is the cornerstone to effectively managing a collection – and at The Fine Art Group, it is this understanding that enables us to work as trusted fiduciaries for our clients, and their objects. We are experienced providing appraisals for a wide range of purposes, and are also specialists in unique and complicated appraisal scenarios.
JOIN US THURSDAY, MARCH 30, 2017 – 3:30PM EST
Please join us for a presentation educating CPAs and financial advisors on the state of the art and collectible markets. Anita Heriot, President of The Fine Art Group, will help CPAs and financial advisors develop an understanding of the importance of planning for and insuring a client’s valuable tangible assets.
The major themes of the course include:
- How the expanding global art market affects the value of tangible assets
- Understanding the appraisal process and how value is determined
- Using art as collateral
- IRS guidelines and tax implications for tangible assets
- How to monetize tangible assets and increase assets under management
- Understanding risk management strategies for tangible assets
- Unlocking the Potential of Hidden Wealth: Managing Tangible Assets
- When are valuable objects considered appreciating assets?
- How does the expanding global art market affect the value of fine art, collector cars, memorabilia, wine, silver, jewelry, and other collectibles owned by clients?
- What factors influence the value of objects?
During the past several years, fine art and collectible markets have been in a continuous state of evolution, expanding into new countries and to new purchasers across the globe. Due to the increased number of international buyers, tastes and desires have broadened. Due to changes in consumer demand, the value of fine art, jewelry, vintage cars, and collectibles have fluctuated tremendously over the past decade. Many personal collectors remain unaware of the value changes and as a result, their personal assets are not adequately protected or managed.
Choose from one of three great locations around Northeast Florida
Session 1 – Breakfast at The River Club
1 Independent Drive, #3500, Jacksonville, Florida 32202
Registration: 8:00AM – 8:30AM
Presentation: 8:30AM. – 9:30AM
Session 2 – Lunch at The Golf Club of Amelia Island
4700 Amelia Island Parkway, Amelia Island, Florida 32034
Registration: 12:00PM – 12:30PM
Presentation: 12:30PM – 1:30PM
Session 3 – Cocktail Reception at Deerwood Country Club
10239 Golf Club Drive, Jacksonville, Florida 32256
Registration: 3:30PM – 4:00PM
Presentation: 4:00PM – 5:00PM
Cocktail Reception: 5:00PM – 6:00PM
Regularly, I meet with family office advisors and their clients to discuss the disposition of their collections. Most recently, I met with a client, wealth advisor and attorney to discuss a valuable collection of art, silver, manuscripts and furniture.
The patriarch requested that several paintings stay in the family and be dispersed between the four siblings. However, these multi-million dollar paintings currently lack the appropriate risk management.
IMPORTANT QUESTIONS TO ASK ABOUT TANGIBLE ASSETS
How much should they be insured for? Who should pack and ship these paintings to the multiple family members located in cities across the United States and in London?
The patriarch would also like to donate a significant manuscript to an historical society. Is the historical society interested in acquiring the object? Does the institution want to incur the cost of insuring and preserving a document of significant historical and financial value?
Finally, the client would like to sell a substantial collection of silver, period furniture, historical documents and several multi-million dollar paintings. Is this the appropriate time to sell all of these items? Should the client sell with one auction house? With multiple houses? In a private sale?
Clients face many issues related to managing a varied collection and the disposition of these valuable objects. However, high-net-worth individuals rarely apply the same rigor to these items as they do when making financial investments or business decisions. I educate clients and their advisors on the importance of developing and implementing a strategic tangible asset management plan that will allow for a detailed understanding of what assets are currently held, their value, future value, and costs associated with maintaining or disposing of them
VALUATION IS THE FOUNDATION
The valuation is the foundation for almost every decision made with tangible assets. Examining the current value of art, jewelry, wine, furniture and other collectibles, along with their future costs, allows clients to make better decisions regarding the appropriate disposition of these objects. Some clients may have items partially documented on their insurance policy but never review the values, which can change substantially over time. In recent recessionary times, many values can be much lower than previously listed, permitting cost savings by appropriately adjusting values. If inflation increases significantly in the future, current insurance values could prove woefully inadequate.
Too many families wait to develop a strategy for their valuables until it is too late to make a rational decision about an effective plan. The market may have shifted or legislative changes enacted which can impact the net monetary gain via a sale or donation of an asset. It is never too early to begin planning and discussing the various ideas with your key advisors. Correct documentation enables proper planning and ensures that the appropriate tax basis is reflected, which can save family members thousands of dollars.
OUR SERVICES
From detailed provenance research to uncover the history behind a collection, to the robust inventory management, security consultation and conservation planning to protect its future, our specialist teams treat every collection as if it were their own.
DELAWARE MAY BE A LITTLE STATE, BUT IT HAS BIG PACKAGES
Delaware offers a Complete Package of Incorporation Services:
Modern and Flexible Corporate Laws, a Highly-Respected Court of Chancery, and a Business-Friendly State Government.
DELAWARE ADVANTAGE
I am constantly asked, “Why Delaware?”, what is the “Delaware Advantage” and how does it apply to fine arts? Fine arts can create challenging tax issues, but with proper planning, artists, collectors, investors and dealers can minimize income, sales and estate tax consequences.
Delaware has long been known as the jurisdiction to settle trusts. Specifically, the Delaware “advantage” comes from its longstanding favorable laws, consistent rulings by the Court of Chancery and a legislature and bar that work closely to keep Delaware in the forefront of trust construction and administration. Such advantages include providing for asset protection, confidentiality, non-judicial settlements, creation of perpetual trusts, non-judicial accounting, creation of total return trusts and state tax exclusions for accumulation of income for non-Delaware beneficiaries of certain trusts, just to name a few.
Although not for everyone, fine arts can be a valuable asset class making up a balanced portfolio within a Delaware trust. In many cases, corporate trustees will not take possession of tangible assets such as fine arts or real estate, but this can be resolved by having the trust form an LLC to hold the asset, thereby allowing the custodian to take possession of the interest in the LLC. There are ample storage facilities in Delaware that cater to fine art collections and the cost of storage in Delaware can be less than that in other parts of the country. There can also be a significant sales tax savings on the purchase and sale of fine arts since Delaware does not have a sales or use tax. Furthermore, in the case where the trust beneficiary is not a Delaware resident, an income tax savings may be achieved in some cases where the LLC interest (which holds the fine art) is sold and the profit is not distributed to the beneficiary. This could be a significant savings if the beneficiary lives in a high income tax state such as California or Illinois.
Careful planning and the advice of a Delaware CPA, tax attorney and corporate trustee should be sought before implementing any of the above strategies.
The author, Jordon Rosen is a CPA and the head of the Estate & Trust Section at the Wilmington, Delaware CPA firm of Belfint, Lyons & Shuman and can be reached for questions at jrosen@belfint.com or at 302.573.3911.
OUR SERVICES
Offering expert Advisory across sectors, our dedicated Advisory and Sales Agency teams combine strategic insight with transparent advice to guide our clients seamlessly through the market. We always welcome the opportunity to discuss our strategies and services in depth.
ACQUIRING EMERGING ARTISTS
Last year there was talk that the bubble for Emerging and Contemporary Art market was about to burst, if it hadn’t already. Our favorite sensationalized headlines included That $100,000 Painting Bought to Flip Is Now Worth About $20,000 and Collectors Abandon Emerging Art. But we continue to work with clients who have established collections ripe with emerging art that continues to demonstrate that the market is still thriving. And the success of emerging art exhibitions and sections at some of the most influential international art fairs also paints a different picture.
“I made a blanket in 1996 and it sold for £3,500 in 1997. Recently it sold for £720,000 at Christie’s. There is nothing in the world that can give you a return like that.“
– Tracey Emin
OUR BEST TRIED-AND-TRUE ADVICE FOR COLLECTORS
With Emerging Artists on our mind, here is a summary of our best tried-and-true advice for collectors—taken from conversations our team of advisors have all had, and are preparing to have, while assisting clients with acquisitions at The Armory Show.
- Define and refine your tastes. The first thing we do with a collector, fresh or seasoned to the market, is establish a clear picture of tastes and interests. Many new collectors are often surprised at what ultimately pulls their attention and draws their emotions.
- Establish a budget. Begin acquiring the best with what you have and don’t rule out the large fairs like The Armory Show or Art Basel Miami Beach. Even these fairs have great offerings at entry-level price points. Some of the most discerning collectors focus solely on prints, multiples and works on paper. And when it comes to prints, there are some dynamic trends and techniques emerging artist are exploring to push the medium to new heights.
- Do your due diligence. Here is a little case study: While at Art Miami in December, two galleries each had works by the same artist. They were comparable pieces of art, similar in size, composition, color and condition. One gallery listed their piece at $250,000; the neighboring gallery had theirs listed at $175,000. It always pays to do a little research before you purchase. As we said earlier this month, no one buys a new car or house without first delving into the market, comparing reports, consulting experts and doing their homework. However collectors will drop large sums on a work of art without seeking a second opinion. Connect with fellow collectors, the artist, other dealers who represent the artist, and as it should go without saying—call your art advisor!
- Understand how the markets work. When you acquire a work of art from a gallery or dealer, you are paying a retail price. When you are ready to sell the artwork, let’s say the market remained stable for that particular artist. Even if able to return to the original dealer you acquired it from, you will likely not get what you paid for it, because the dealer now needs to invest his time in reselling the piece, time and resources not at your disposal, and that comes at a cost. Which leads us to our next point.
- Buy what you love. “I deduct 10% annually for adding to my life enjoyment, everything else is a gain or loss on investment” are words to live by from a private collector who spent three decades building a collection of artwork he loved. What’s most memorable about this client isn’t his collection, but his attitude. And while not everything had a return on investment, it was his appreciation of the collection that put everything into perspective.
- Stay connected and get involved. Collecting art is a lifestyle and process, so follow the careers of the artists you add to your collection, go to museum exhibitions, check out gallery openings, meet collectors and artists at clubs related to your collecting interests, and be open to discovering a passion for something you hadn’t discovered before.
OUR SERVICES
Offering expert Advisory across sectors, our dedicated Advisory and Sales Agency teams combine strategic insight with transparent advice to guide our clients seamlessly through the market. We always welcome the opportunity to discuss our strategies and services in depth.
Highlights from this year’s Basel Miami fair include works with social commentary that addressed political issues such as Sam Durant’s large red painting “End White Supremacy” that was featured at Blum and Poe, Los Angeles, which greeted attendees upon arrival at the fair. Numerous artists used the opportunity to voice opinions about immigration, worker’s rights, women’s rights, and Black Lives Matter. Jack Shainman Gallery in New York represent numerous artist whose work address issues of color such as Carrie Mae Weems, Kerry James Marshall, Nina Chanel Abney, and Radcliffe Bailey. Kehinde Wiley’s Equestrian Portrait of Isabella of Bourbon, 2016, featured an oversized portrait of a contemporary African American woman seated royally on horseback.
Not all works were as politically motivated and controversial as the above-mentioned pieces. The overall consensus regarding what collectors were buying and why was that there was a conservative and thoughtful approach to purchases. Many collectors are more concerned with investment value for the art they purchase and look to advisors and evidence of proven tract records within the primary and secondary markets. Many galleries included new-to-Basel artists as a way of diversifying the traditional parade of named artists that usually litter the floors and walls of the enormous convention center.
British Galleries were selling well with the changes in currency exchange since Brexit. The British owned galleries we visited were anxious to assist clients with information and negotiated prices. European and Asian Galleries offered a variety of smaller pieces by well-known artists. A South African Gallery exhibited works with political overtones.
Some of the more popular artist of this year’s fair was Yayoi Kusama, with dotted paintings at several galleries, many with the asking price at $1M or below. Gagosian Gallery proudly displayed Jeff Koons enormous Blue Diamond sculpture, one of ten or so similar works with different colored stones, all being offered at $3M-$4M. George Condo’s market is rallying in 2016 and several galleries offered his paintings with prices ranging from $150,000 for small works to $1M for his oversized paintings. Jean Dubuffet was the sweetheart of many galleries that offered older works prior to 1950s to his latter more colorful works from 1970s being offered for $2M at Landau Gallery.
Some of the artworks that were limited or missing from Basel this year include Jean Michel Basquiat paintings that were very few and far between with an asking price of $3M-$4M for mid-size wall pieces. Not many of Warhols graced the walls of numerous galleries as in earlier years at this this fair. Smaller Richter’s were available, but the large masterful pieces were tied up at auction instead. Also missing from Basel Miami were Damien Hirst paintings, which appeared in large quantity at Art Miami this year instead. Also in minimal supply were digital, video artworks and new technology pieces.
This year’s takeaway from Basel Miami is that savvy collectors are using advisors and researching artist and markets before jumping into purchases above $250,000. Buyers were much more discerning when it came to what they wanted to purchase. Prices for blue-chip works are higher than ever, but galleries were willing to negotiate on many of the artworks. It doesn’t seem to be a good time to roll out new young unproven talent for dealers unless willing to price the pieces conservatively. Suffice to say, Art Basel Miami is a good barometer of the state of the world as seen in the works presented by artists and the works that were sold to collectors. Despite the rallying of the stock market, collectors were not as confident as the market has experienced in past years.
By Ruth Crnkovich, Senior Advisor, Pall Mall Art Advisors
OUR SERVICES
Offering expert Advisory across sectors, our dedicated Advisory and Sales Agency teams combine strategic insight with transparent advice to guide our clients seamlessly through the market. We always welcome the opportunity to discuss our strategies and services in depth.